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In a Row: Reconstruction of a family house in Prague, Czech Republic by No Architects

Project name:
In a Row
Architecture firm:
No Architects
Location:
Prague, Czech Republic
Photography:
Studio Flusser
Principal architect:
Jakub Filip Novák, Daniela Baráčková, Petra Doudová, Barbora Jelínek
Design team:
Collaborators:
Joinery: Truhlářství Duspiva
Interior design:
Built area:
Built-up Area 110 m²; Gross Floor Area 318 m²; Usable Floor Area 238 m²
Site area:
291 m²
Design year:
2019
Completion year:
2022
Civil engineer:
Structural engineer:
Environmental & MEP:
Landscape:
Lighting:
Supervision:
Visualization:
Tools used:
Construction:
V.O.G.I. systém
Material:
Ceramic tiles. Concrete screed. Oak floors. Lacquered mdf, oak veneer and solid wood – joinery products
Budget:
Undisclosed
Client:
Private
Status:
Completed
Typology:
Residential › House

No Architects: It is a three-storey terraced house with a semi-closed basement, with a front garden and rear garden, and a view from the upper floors far out into the landscape of the mountain Bílá Hora (where a famous battle took place). The massive staircase therefore forms the backbone of the house in all respects. A complete reconstruction of the terraced house built by the inhabitants themselves in the 1970s for their successors, Czech globetrotters who, perhaps not by chance, can see all the way to the airport from their bedroom.

A client, who is literally chased around the world several times a month by his specialization and indispensability, decided to anchor with his family in one of the older terraced houses, perhaps coincidentally, "within sight" of the airport. It is a three-storey terraced house with a semi-closed basement, with a front garden and rear garden, and a view from the upper floors far out into the landscape of the mountain Bílá Hora (where a famous battle took place).

The house already has a lot of advantages, but as it happens, it still needed to be half demolished, rebuilt and completely re-equipped with 21st century infrastructure in order to really exploit its full residential potential. When we arrived, the backbone of the terraced house was a gently depressing steel staircase walled off in a dark corner of the house.

We started by drawing it into the living area and cutting spaces out between the flights of stairs. This brightened the staircase and made inhabiting the vertical house a more social affair than the original strictly separated floors allowed, thanks to the new sightlines. This was not entirely easy, as the floor structures are hollow core slab ceilings, implemented in the 1970s by the inhabitants themselves, just as the whole building was built or renovated by them.

Therefore, it was necessary to double-check every step with a structural engineer and a builder to avoid any unpleasant surprises and to prevent any risk of injury to the contractor, just in case the bricklayers had underestimated something somewhere in the past. The overall rehabilitation entailed, in addition to the strengthening of the house, a complete replacement of the internal infrastructure, including electrical connections, replacement of windows, insulating the facades, demolition and rebuilding of the terrace, repairing the roof, replacement of all surfaces and many other compositions.

Major changes were also made to the layout, where we rearranged the internal workings, relocated some rooms to opposite sides of the house, or connected the kitchen to the living area and staircase simultaneously through an opening in a load-bearing wall at the very limit of the structural engineer's courage. We then finished the interior to make it beautiful for its inhabitants, so they could live in it as if it were one endless holiday.


About studio / author

The No Architects studio has been built on the cooperation of an architect and a visual artist. A team of internal and external collaborators takes part in this collaboration. They can cover the whole range of specialised trades as necessary for good architecture.

We are interested in sensitive detailed solutions that reflect unique stories of every project and every client.


By Liliana Alvarez

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