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Architecture duo Karl Fournier and Olivier Marty have the pleasure to present their new book, published by Phaidon. Yves Saint Laurent Museum Marrakech tells the remarkable story of the landmark museum in Marrakech dedicated to the legendary French fashion designer’s creative work. The book chronicles the unique collaboration between Saint Laurent’s partner, Pierre Bergé, and architecture firm Studio KO, taking readers behind the scenes on a creative journey at the intersection of architecture, design, and fashion. The reader will be able to follow the incredible adventure of 1,423 days during which the museum was designed and built.
This Cape Town pied-à-terre, near to the V&A Waterfront’s Silo Precinct, was conceptualised as a blank canvas for the owner’s growing collection of South African and African art. The precinct is anchored by the Zeitz MOCAA, which is not only the most significant art museum in the world dedicated to artists from Africa and the diaspora but is also a local architectural landmark designed by the UK’s Thomas Heatherwick. Much of the district’s artistic and creative character derives from its presence.
Japanese Garden design is a sacred type of architecture. This type of design has been around for centuries, and is highly significant in Japanese culture. There are a variety of meanings and reasons for the elements found within Japanese Garden design. These are some of the major key factors of Japanese Garden design.
A series of family cabins hidden in the forest, overlooking Washington's Hood Canal and inspired by the native killdeer bird. The retreat is an expression of ‘tactile modernism’, connecting the family to the sensation and physical experiences of the Puget sound ecosystem.
The concept behind the residence was to design a unique living space that was aesthetically appealing, comfortable to live in,open to outside and at the same time maintain a sense of safety and privacy in that residential neighborhood. The owner wanted a bright and well lit living space with a form that is new to that locality.
In creation of an architectural plan of the seaside town, with consideration of facing a set of volumetric masses; at the beginning, our confrontation with volumes was in a narrative way as if volumes are figures which were formed in the reaction of one another and also the formation of surfaces has been abstracted from the social interaction of their masses.
This six-story office building on Manhattan’s west side is the result of adding five new floors onto an existing one-story pub/restaurant. McQuaid’s Public House has been a fixture in the neighborhood for decades and the owner wanted to retain the existing pub and add the new office building floors and ground floor lobby with as little interruption to pub operations as possible.