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Jungalow 2, Bhimrad, India by NEOGENESIS+STUDI0261

Project name:
Jungalow 2
Architecture firm:
Bhimrad, Surat, Gujarat, India
Ishita Sitwala / The Fishy Project
Principal architect:
Chinmay Laiwala , Jigar Asarawala, Tarika Asarawala
Design team:
Devanshi Parekh
Text Credits: Nilufer Contractor
Interior design:
Built area:
535 m² Each
Site area:
2770 m²
Design year:
Completion year:
Civil engineer:
Ronak Khambhadiya
Structural engineer:
Arcon Consultants
Environmental & MEP:
Sagar Refrigeration
Devanshi Parekh
Tools used:
Nitalbhai Shah
Concrete, Brick, Steel, Glass
Residential › Houses

NEOGENESIS+STUDI0261: Standing among the open fields in the outskirts of Surat, ‘Jungalow 2’, as they call it, is an outcome of the designer’s sensitivity towards nature and sustainability. The designer’s earlier project, ‘Jungalow’ has a generous amount of plantation incorporated throughout the built, lending it a verdant feel despite the project's urban setting. Their same instinct to connect spaces more closely to nature is what made ‘Jungalow 2’.

This extrovert abode belongs to an agriculturist family. They came up with a concise brief that their new home should have three separate units completely self-contained functioning distinctly, yet seamlessly allied, where the well-knit extended family would be happily co-habiting.

The built comfortably sits on the west while opening up the remaining plot to become a common space forming contiguity with the entrance otta. The residence is conceived as a singular unit of three adjunct homes with staggered massing and the diverse otta. Each otta, integrated differently, is what offers identity and individuality to apiece.

The layout prioritizes open spaces with fewer separations and encourages communication. The four-bedroom abode is well connected to greens and terraces. The bedroom on the upper most level sets a stage to gaze at the open farmlands. The pooja, an inimitable element, is a free-suspended RCC wall hanging from the slab above which acts as a divider at the entry while the concave portion houses the pooja.

The material palate is carefully curated to exhibit the physicality and textures in their honest form to keep the overall look earthy and to pair up with the naturality of flora.

The house is clothed with materials viz. earth-bricks, exposed RCC, mandana stone, reclaimed wood, metal and glass. Mandana limestone is used as a flooring material (owing to its palpable benefits over sandstone) to minimize glare keeping in mind the climate of Surat. Earth-brick, made of compressed soil mixed with Mandana stone dust, was sun-dried, minimizing the carbon footprint. Earth-brick, exposed RCC slabs, lime-plastered walls with finished ply and reclaimed wood keep the interiors timeless.

A keen eye was provided to the detailing of elements to revive the local artistry and fading techniques.

Sense of being wrapped by the greens is further made apparent by courtyard, skylights and large openings. The pivot windows and the Mandana louvers provide least barrier as they visually allow one to extend into the greens. Shaded porches, breezy courtyards & green terraces cater to a comfortable ambience with great habitation potential. The skylights elegantly render the exposed-brick and RCC walls with a golden radiance of the transitioning sun movement.

Furniture and light fixtures are custom-detailed to complement the space. Only the obligatory furniture pieces are crafted to make home appear spacious without devaluing comfort. Landscape is designed keeping in mind the earthy materials for which, xerophytic and related species such as rubram grass, rhoeo and terminalia are favoured. 

The image of the home is traditional yet contemporary, big yet grounded, three yet one, thus, finetunes the architecture to achieve an innate presence in the lush backdrop.

By Naser Nader Ibrahim

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