Restoration of a national cultural monument – a significant industrial building and city landmark designed by architect Josef Gočár. The project respects the structural and spatial characteristics of the original construction while adapting it for gallery use, meeting high standards for interior climate control, collection security, and sustainable...
Project name
Gočár Gallery in the Automatic Mills
Architecture firm
TRANSAT architekti
Location
Automatické mlýny 1961, 530 02 Pardubice, Czech Republic
Principal architect
Petr Všetečka
Design team
Kajetán Všetečka, Monika Šafářová, Petr Žák
Collaborators
Lighting supplier: Etna, Consultations: Josef Pleskot, Jan Žemlička, Structural engineering project: Stabil, Heating, cooling, and ventilation project: Optimal Engineering, Fire suppression system project: TRASER, Graphic design: Men at Work, Main construction contractor: Association for the Restoration of the Automatic Mills in Pardubice [Metrostav and Chládek & Tintěra], Main interior contractor: Dřevozpracující výrobní družstvo Jaroměřice, 2 Windows: Alglas
Built area
Built-up area 827 m²; Gross floor area 3,808 m²
Material
external wall structure – supplemented with exposed brick masonry and artificial stone. new passageway portals – fired bricks with an engobed surface. new underground structures – watertight concrete. supplemented interior load-bearing structures – exposed reinforced concrete. interior wall insulation – calcium silicate. interior accumulation and exhibition plinths – fired ceramic whitewashed bricks, sand-lime bricks in depositories. roof insulation and beam support – foam glass. roof skylights – custom aluminum profiles with dithermal glazing and aluminum louvers with motorized control. new interior windows added to the historical ones – stainless steel profiles with dithermal glazing and motorized control. screen blinds between windows – polyester, custom-made, automated control. interior partitions and doors – steel, safety glass, solid larch wood. interior railings – steel, solid larch wood. flooring – cement screeds, large-format oak planks. entrance hall, exhibition, and library furnishings – solid oak, custom-designed. event hall – acoustic wood-based wall claddi
Typology
Cultural Architecture > Gallery
Museum expands its exhibition capacity by 66% and introduces innovative architectural solutions, maintaining a respectful dialogue with Lina Bo Bardi's iconic building.
Project name
The Pietro Maria Bardi
Architecture firm
METRO Arquitetos
Location
Masp, São Paulo, Brazil
Photography
Leonardo Finotti
Principal architect
Martin Corullon, Gustavo Cedroni
Collaborators
Renata Mori, Rafael Souza, Matheus Soares Alves, Fernando Comparini, Eduardo Toscano, Andréa Lakatos, Paula dal Maso, Rebeca Guglielmo, Amanda Amicis, Fabiane Sakai, Stella Bloise, Breno Felisbino
Structural engineer
Cia de Projetos - Heloísa Maringoni
Environmental & MEP
Harmonia Acústica e MHA
Lighting
Fernanda Carvalho e PAula Carnelós
Supervision
Tallento Engenharia
Construction
Racional Engenharia
Client
MASP Museu de Arte de São Paulo
Typology
Cultural Architecture › Museum
The concept behind VALOA is rooted in the belief that architecture serves as a medium through which light communicates. Light, in this context, is not just a functional element but a transformative material that continuously changes, shaping the user experience throughout the day and across seasons.
Project name
VALOA (LIGHT)
Architecture firm
OF. STUDIO
Location
Helsinki, Finland
Collaborators
Sweco Sverige AB | Stockholm (Structures, Sustainability)
Typology
Cultural › Museum
At the heart of Rotterdam's Katendrecht peninsula, Fenix occupies a century-old structure that was once part of the world’s largest transshipment warehouse for the Holland America Line, a company that facilitated the migration of millions, including figures like Albert Einstein and Willem de Kooning. The centerpiece of its transformation is the Tor...
Architecture firm
MAD Architects
Location
Rotterdam, Netherlands
Photography
Henry Verhorst (Drone Footage), Mark Bolk, Gregg Telussa, Wilbert Zuiderduin
Principal architect
Ma Yansong, Dang Qun, Yosuke Hayano
Design team
Alessandro Fisalli, Neeraj Mahajan, Marco Gastoldi, Edgar Navarrete, Cievanard Nattabowonphal, Jordan Demer, Chen Yien, YukiIshigami, Pittayapa Suriyapee, Claudia Hertrich
Collaborators
Associate Partner in Charge: Andrea D’Antrassi; Executive Architect: EGM; Monumental Architecture Renovation: Bureau Polderman; Installation Design: Bosman Bedrijven; Installation Advisor: DWA; Building Physics Advisor: LBP Sight
Built area
8,000 m²; Gross Internal Area: 16,000 m²
Site area
Tornado Specifications: Height: 30 m; Ramp Length: 550 m; Cladding Area: 4,000 sqm Polished Stainless Steel
Structural engineer
IMd Raadgevende Ingenieurs
Lighting
Beersnielsen Lichtontwerpers
Construction
Steel Constructor: CSM Steelstructures; Cladding Constructor: Central Industry Group (CIG)
Client
Droom en Daad Foundation
Typology
Cultural Architecture > Museum, Renovation
Following the anonymous design competition for the new Nikola Tesla Museum, the jury selected the design submitted by the team of Zaha Hadid Architects (ZHA) working with Bureau Cube Partners of Serbia.
Project name
Nikola Tesla Museum
Architecture firm
Zaha Hadid Architects (ZHA)
Location
Belgrade, Serbia
Principal architect
ZHA Project Director: Manuela Gatto
Design team
ZHA Project Team: Besan Abudayah, Thomas Bagnoli, Armando Bussey, Alicia Hidalgo, Panos Ioakim, Jung Yeon Kwak, Catherine McCann, Yevgeniya Pozigun, Houzhe Xu, Zixin Ye. ZHA Smart Museum Design: Uli Blum, Danial Haziq. ZHA Sustainability Team: Bahaa Alnassrallah, Aditya Ambare, Carlos Bausa Martinez, Abhilash Menon, Disha Shetty, Jing Xu. BCP Project Team: Danijela Bakic, Milos Bojinovic, Nadica Davidovic, Ana Maria Gaspar, Milena Ivanovic, Milena Kalinic, Sasa Kostic, Sanja Kostic, Bojana Maksimovic, Zora Pajcin, Aleksanda Stevanovic, Ana Suman, Nikola Umicevic, Sara Vasic, Stefan Jovanovic
Collaborators
Sustainability Engineering: Max Fordham. Structural Engineering (New additions): Lanik I. S.A. Structural Engineering (Restoration): DB Engineering d.o.o. MEP Engineering: Conventus Consultants d.o.o. Lighting Designer: Lichtvision Design Ltd
Visualization
Norviska. Xuniverse, Norviska, 3D Point d.o.o
Client
Belgrade Waterfront
Typology
Cultural Architecture › Museum
PARVS CENTER is an ultra-modern architectural complex designed as the new cultural city centre for Saint Petersburg, situated in the Neva Delta. Its distinctive and memorable design features a complex arrangement of curved load-bearing surfaces shaped like sails.
Project name
Parvs Center
Architecture firm
The Svetozar Andreev Architecture Studio `Hotei-Russia`
Location
Saint Petersburg, Russia
Principal architect
Svetozar Andreev
Built area
Over 70,000 m²
Visualization
Svetozar Andreev
Typology
Cultural Architecture > Cultural Center, Museum
Italian Architects ADAT Studio reveals the forthcoming "Science Forest - Museo della Scienza di Roma" Selected by Daniel Libeskind. The innovative architecture firm founded by Andrea Debillio and Antonio Atripaldi was named lead architect after winning first place in the international competition issued by the Rome Municipality.
Project name
Science Forest - Museo della Scienza di Roma
Architecture firm
ADAT Studio
Principal architect
Antonio Atripaldi, Andrea Debilio
Design team
Luca Galli, Michele Sacchi, Filippo Testa, Laura Zevi
Collaborators
Landscape: P’Arcnouveau, Engineering: WSP Fire consulting, Safety: GAe Engineering
Status
In the Process of Realization
Typology
Cultural Architecture > Museum › Science Forest
Nissen Richards Studio has designed a new permanent exhibition for The Jersey Museum and Art Gallery. The exhibition has a thematic structure, featuring a group of stories arranged as ‘narrative islands’. The exhibition - ‘La Tèrr’rie d’Jèrri – d’s histouaithes dé not’ Île / Being Jersey – Stories of our Island’
Written by
Nissen Richards Studio
Photography
Gareth Gardner
