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Baldridge Architects designs ARRIVE Austin, a dynamic new hotel in Austin, Texas

Project name:
Architecture firm:
Baldridge Architects
Austin, Texas, USA
Casey Dunn
Principal architect:
Burton Baldridge
Design team:
Burton Baldridge, Principal, designer. Michael Hargens, Project Architect. Laura Grenard. Architect. Ryan Flener, Architect. Tyler Frost, Designer
Built area:
77,000 ft²
Site area:
Design year:
Completion year:
Geotechnical Engineer: Terracon; Acoustical Engineer: JEA Acoustics; Envelope Consultant: BEC (now Terracon)
Interior design:
Chris Pardo (hotel interiors and furnishings, Lefty’s); Chris McCray (Vixen’s Wedding); Baldridge Architects
Civil engineer:
Big Red Dog (now WJI)
Structural engineer:
Leap! Structures
Environmental & MEP:
EEA Consulting Engineers
.dwg (Daniel Woodroffe Group)
Tools used:
Austin Commercial
East Sixth & Chicon Hotel, LLC
Hospitality › Hotel

Baldridge Architects: The ARRIVE Austin hotel comprises eighty-three rooms situated within a five-story, L-shaped tower and adjoining two-story podium which houses two restaurants, three bars, a coffee shop, leasable street-side retail space and parking. The brief from the owners was to question established hotel tropes—the grand entry, the hotel restaurant, and the always-empty lobby. Rather, they asked for a dynamic hotel that eschewed brand and established a subtly powerful focal point that knits into the rapidly developing Plaza Saltillo neighborhood, located just east of downtown Austin.

Grappling with context, history, and appropriateness, the design looked to the building and material typologies of the surrounding 1920s-era warehouses, as well as the masonry and concrete construction found at Huston Tillotson University (a historically Black university that overlooks the property). The resulting design prioritizes a high-quality building that honors its location and serves as a redirection for the cheaper design strategies to the west.

The façade and its scissoring aesthetic is a playful response to a prescriptive ordinance approach to building articulation (buildings longer than 100 feet must have a two-foot-by-twenty-foot relief). The design for ARRIVE turns this idea on its head. Required to have awnings, the design instead employs a series of articulated concrete “ribbons,” that satisfy the requirement while expanding the definition of what’s possible within those requirements.  The concrete cant and slide to form deep protected overhangs and corner balconies for hotel guests, while a sequence of materials in shades of black—a faintly iridescent brick, vertical windows, and smooth plaster—infill between the concrete horizontals.

At street-level, a mix of restaurants claims the pedestrian identity. The adjacent, low-level, sand-colored brick building is part of the project. The legacy building, which now features a bar and restaurant, was held out as having “potential historic significance.” It is attached to the hotel and joined at the kitchens. It’s only as one goes up through the building to the amenities deck which houses “Gin Bar,” that you see the whole thing as a complex. 

ARRIVE is a powerful, original response to a street of largely homogeneous multifamily residential buildings. By referencing the architectural language still present in East Austin’s older buildings—its driving concepts and architectural rigor read immediately to passersby. Above all, the 77,000-square-foot ARRIVE achieves its mission without resorting to superfluous architectural tropes and meaningless articulations.

By Liliana Alvarez

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