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Three Resistance Movements Memorial, Lošany, Czech Republic by IXA

Project name:
Three Resistance Movements Memorial
Architecture firm:
IXA
Location:
Lošany 1, 280 02 Lošany, Czech Republic
Photography:
Benedikt Markel
Principal architect:
Tomáš Hradečný, Klára Hradečná, Julie Kopecká, Benedikt Markel, Bronislava Volentičová, Silvia Snopková, Vladěna Bockschneiderová, Jakub Kochman
Design team:
Petr Blažek, exhibition curator; Michael Baroch, Dominika Kovandová, Branislav Kožej, Magdaléna Piterková, Patrik Ölvecký
Collaborators:
Construction work: PROSTAV. Sprayed concrete: Podzemní stavby Brno. Carpentry: Jiří Sušický. Exhibition production: SIGNUM 1995. Multimedia solutions: st.dio.
Interior design:
Built area:
Built-up area 745 m²; Usable floor area 1 085 m²
Site area:
11 539 m²
Design year:
2019 - 2021
Completion year:
2022
Civil engineer:
Structural engineer:
Environmental & MEP:
Landscape:
Jakub Kratochvíl
Lighting:
Etna iGuzzini
Supervision:
Visualization:
Tools used:
Construction:
Material:
Sprayed concrete – façade. Cement plaster – façade. Concrete – floor. Heraklith – suspended ceiling. Black sheet metal with UV prints
Budget:
430 000 €
Status:
Built
Client:
Zdeňka Mašínová. Investor: Mašínův statek — památník tří odbojů
Typology:
Cultural Architecture > Memorial Center

IXA: In 2017, nearly thirty years after the fall of the communist regime, Mrs. Zdeňka Mašínová regained the ancestral farm of her father, Josef Mašín, in Lošany. The very same year, a society was established for the purpose of creating a Three Resistance Movements Memorial in the house. The goal was to open it to the public and use it to preserve the legacy of Major General Josef Mašín and his family, has made significant personal sacrifices in the struggle for their homeland, freedom, and democracy throughout the 20th century.

The Three Resistance Movements Memorial reflects the extraordinary opportunity to view the modern history of Czechoslovakia and the Czech Republic through the story of one rural family and its companions. The memorial is conceived as a place for preserving the history of not just the foundation and operation of the resistance movements, but also their context and integrity. Following many reconstructions, the ancestral home of Josef Mašín lost its original character. The only trace of authenticity is represented by the masonry and vaulted rooms on the ground floor, preserved and hidden under a shell of sprayed concrete. The concrete serves a protective and stabilizing function. Other soft parts of the building, such as non-original windows and doors, the roof, and the beamed ceiling, were removed. To quote artist Rachel Whiteread, the process can be described as the mummification of the base structure, whose interiors can be entered and traversed.

In two opposing recesses of the entrance hall, the text of a letter by Josef Mašín is installed, where he bids farewell to his wife and children. Capturing a moment full of love, pain, and determination, underpinned by the knowledge of impending doom, it shows a man who experienced two resistance movements, and whose legacy gave rise to another. In the second room, a trio of sun tunnels located on the vaulted ceiling symbolizes the three resistance movements. The last space, with no roof, is a place for reflection. A mulberry tree grows here as a symbol of the Mašín family, representing freedom and hope which gradually exceeds the horizon of the memorial. The sizeable courtyard of the original farm remains empty, ready to accommodate larger groups of visitors or serve as a backdrop for ceremonial and social events with presentations on the history of resistance activities.

The farm building, rebuilt into a stable in 1904, and later used as a tractor station for the local collective farm, is the site of an exhibition dedicated to the history of the farm, the Mašín family, and the three Czechoslovak resistance movements, located the former carriage shed. Under the original beamed ceiling, contrastive exhibition inventory is installed on renewed walls. The authentic granary on the upper floor is only accessible in very special cases, and like the stable and hayloft in another part of the building, it will be the subject of the final stage of reconstruction.

About studio / author

IXA Studio was founded in Prague by architects Tomáš Hradečný and Benedikt Markel following their long-term collaboration. The studio comprises a team of six individuals whose work spans a diverse range of scales and typologies, encompassing tasks from conceptual design to construction implementation. The studio is actively involved in addressing public spaces and buildings within historically protected areas.


By Liliana Alvarez

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