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Four & Four House, West Vancouver, Canada by McLeod Bovell Modern Houses

Project name:
Four & Four House
Architecture firm:
Design firm: McLeod Bovell Modern Houses
Location:
West Vancouver, British Columbia, Canada
Photography:
Andrew Latreille
Principal architect:
Principal designers: Matt McLeod, Lisa Bovell
Design team:
Devon Burry
Collaborators:
Interior design:
McLeod Bovell Modern Houses
Built area:
613 m²
Site area:
1882 m²
Design year:
2017
Completion year:
2019
Civil engineer:
Structural engineer:
KSM associates LTD
Environmental & MEP:
Landscape:
Lighting:
Supervision:
Visualization:
Tools used:
Construction:
JBannister Homes
Material:
Concrete, Steel, Wood, Glass
Budget:
Undisclosed
Client:
Private
Status:
Built
Typology:
Residential › House

McLeod Bovell Modern Houses: Situated on a steep waterfront lot flanked by suburban context, the Four & Four House knits together the client’s affinity for mid-century, post-and-beam construction with contemporary adaptations. The site’s generous width with its semi-naturalized condition presented an opportunity for landscape elements to organize the sequence of the house in the form of four distinct courtyards. Clad in locally-milled yellow cedar, four massive beams frame these spaces:

- A sunken courtyard at the entrance framed by concrete walls provides lateral and vertical separation between vehicular movement and guest arrival.

- A naturally planted garden courtyard opens up toward the sky in a double-height atrium to bring in filtered south light to the interior spaces below.

- A sheltered outdoor living room immediately next to the garden provides the setting for multi-seasonal activities.

- A lounge deck hanging over the concrete base of the house gives way to unobstructed views of the water and its ever-changing conditions.

Spatially, the central courtyard separates the flanking formal and informal living areas while still allowing visual connection through full-height glazing. A fully glazed gallery acts as the intersection between the living spaces, sunken courtyard, and garden. The upper floor—a screened volume that contains the bedrooms—spans the outdoor living room below like a bridge. This volume is strategically shifted toward the street so that the monolithic façade at the south elevation conveys a sense of privacy when viewed from the street. Meanwhile, lowered window heads visually reduce the house’s massing from the water’s edge to give it the appearance of a single-storey volume following the client’s appreciation for mid-century aesthetics.


By Naser Nader Ibrahim

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